Writing Dual Timelines: A How To

So, you're writing a dual timeline? And you're thinking to yourself: hmm, how the heck is this going to work? You may be thinking: how do I balance these two or one storyline is more interesting than the other or why the heck is this so hard?

My novel, These are the Moments, spans ten years, flipping back and forth each chapter. There a few great ways to write this kind of narrative. I, however, have only done this once. So let me give you my version as well as some back-up plans, for those of you more structured folk.

A dual timeline is a novel/short story/what have you that takes place in… you guessed it, two periods of time. This could be historical fiction or contemporary or whatever you choose. My novel is a contemporary fiction, spanning high school into college and then post-college life. Here's how I did it:

Option One

Option One shall be known as "Jenny style," not because I have some sort of copyright on this, but just because I said so. If you read this post, you'll know that I started writing my novel on paper. I began with whatever scenes popped in my head at the time, not really concerning myself with plot points or the flow of the thing.

I saved that until I transferred it to my computer. In grouping my timelines, I decided to structure them separately, in "past" and "present" order. Yes, I waited until the stories could stand on their own before combining them into one, structured novel. The reason? I wanted to feel what it was like for each piece of each story to flow one after the other. I needed to make sure I didn't miss anything in each timeline before I sorted them together. 

Why this works: This helped me to group my scenes together. It gave me confidence that each story had its own arc, before I fit each of them into place. 

Why this doesn't work: Say you prefer writing your scenes in order. This method could potentially trip you up. Also, it's tricky to go over the transitions of the story this way. Maybe you have a certain idea for how the scenes should fall, but in combining them, it doesn't work.

Option Two

Option Two shall be known as the "Write Through the Dang Thing" method. If you're an excellent multi-tasker, and can envision the story each step of the way, then this is for you. In this method, you just write straight through both of the timelines, alternating back and forth each scene, if that's what you choose to do. 

It's important to give equal time to each timeline, as each is equally important. Remember: each story informs the other. Personally, I don't think I could master this method. I'm not very good at envisioning my story step-by-step, because I'm always coming up with new plot ideas that I need to weave into the existing story. 

Why this works:It allows you control over where both of your dual timelines are heading, and let's you keep a tight back-and-forth between them. 

Why this doesn't work: It's difficult to handle the progression of one story, let alone two. There's a greater chance of getting stuck.

Option Three

Let's call option three the "Cheater" method. Okay, it's not really cheating, but you'll get the idea. This is a method for a novel with flashbacks or a story within a story. This is a novel that doesn't give equal time to each timeline, but rather uses one of the time periods occasionally through the work. This could be in the form of a letter or a story or dreams. 

For this type of story, you'll need a strong example from the secondary timeline in order to really sell it. The purpose of the secondary timeline in this kind of novel is to shed some light that we might not otherwise see on the primary timelines. 

Why this works: It helps you to "show" rather than "tell," depending on the way you choose to write it. This pulls the reader out of the story for just a moment or two. 

Why this doesn't work: It can come off as gimmicky, if not done correctly. Try to be organic with using this tool, and think to yourself, "Can my story survive without this?"

Okay, so there you have it! A lesson in writing dual timelines. Have you ever written a story this way? If so, what's been your biggest challenge/success?

Spring is Here!  Take up to 37% off

How to Write a First Draft

Hey there, writer! Are you stuck in first draft no man's land? Are you feeling that creative writing slump? You've come to the right place. 

A first draft is kind of like riding a horse: you hold on for dear life and see where it takes you. Maybe not a horse. Something less tame. Like a hippogriff. That'll work. In writing the start of a novel, you have to think big picture. Luckily, I've got a few tips to help you write a killer, super quick first draft:

What's my character's story?

A first draft is where you really get to know your characters. The more you write, the more you learn. Using creative, get-to-know-you character techniques will help you breeze through your draft.

One of a writer's toughest job is to make realistic characters. Especially secondary characters who don't get as much page-time.

Tips on writing kick-butt characters:

  • Get informed! Head over here to learn more about creating believable characters.

  • Test their settings. Allow your characters to interact with each other in a setting that makes sense. Then throw them into a setting that doesn't.

  • Conversation. Write a conversation between your main characters, focusing only on their words. (Translation: ignore dialogue tags.)

What are my themes?

Theme is a bit tricky. It's never something you state outright in the book, but it's the essence of what your story is trying to say. You say it without saying it. That totally makes sense, right?

The way you get to the heart of this is by seeing how your main character reacts to the plot. How is your character interpreting what he/she is doing, events that are happening to him/her? I suggest not over-thinking theme at the start of your story. As you write your scenes, it just kind of starts to present itself.

My story has a lot of themes, but the overarching one is: do people ever really change? This comes in the form of a love story, through the experiences of my main character growing up, and through the mirrors of her friends, who are also just trying to figure the "adult" thing out. 

Tips on finding your theme:  

  • Reread your scenes. Does any "message" keep popping up in your mind? What's the thread keeping your story together?

  • Know your characters' motivations. Okay, we're back to characters again. What are their obstacles? What unites them?

  • Keep a theme list! Keep a separate tab in your writing notebook specifically for theme ideas. What words/phrases resonate with you?

What's going on with my plot?

Everyone writes in his/her own way. Personally, I write scene-by-scene, rather than in chronological order. I write the scene that I feel like writing in that moment, and hope that one day, all of these scenes will come together.

Stories come in a range of frameworks. You've got your Hero's Journey set-up and your pillar structure and countless other ways Remember: there are always exceptions to the rules. As long as you keep true to your story and where it needs to go, you can keep the action/progression/build up. Also, editing helps.

What's that you say? You want more tips? But, of course!

  • Outline that 'ish. Personally, I'm a pantser. I don't outline until the second draft, and even then, it's maybe only a page long. My friend Kristin's got great advice on outlining here.

  • Brainstorm. The possibilities are endless! Brainstorm the directions your novel can take.

  • Know your "why." Every chapter, every scene, every sentence has a purpose. Knowing why you are writing ______ can help determine where you're heading next.

HOW DO I FINISH THIS DRAFT?

Are you ready for a tough truth? Planning is the sneakiest form of procrastination. We tend to sit in the limbo of our first draft because anything past that seems scary.

We need to finish our first drafts, and we need to do it fast. How the heck does this happen?

Sign up for my free email series to learn how I wrote & published my books, all while working a full-time job!

Want even more tips? Check out these articles below:

Okay, so there's a lot to think about when it comes to this whole writing business. In your first draft stage, these should be at the back of your mind, but the writing part comes first. Get those words on the page. That's the most important thing.

Discussion time: What are your best first draft tips? Comment below! 

Spring is Here!  Take up to 37% off

A Year of Blogging with Blots & Plots

Happy birthday, Blots & Plots! Last week, I celebrated a year of blogging. I would have invited you. Really, I would have. But I didn't have your address and my apartment is kind of small, and also you were busy. So let's just celebrate today, shall we? Good idea. You're the smartest.

In a year of blogging, I feel like we've accomplished a lot. I started this blog with one novel, and wound up writing a completely different one. We started a newsletter. We reached 2,000 followers on Twitter, and then everybody got presents for it. I went to a writing conference and a blogging conference, and made some really amazing friends. Let's do something fun, okay? Here are four of my blogging mistakes, and how I fixed them:

Posting Inconsistently

When I first started this blog, I was working a crazy job with crazy hours. But that's not an excuse, is it? I'd go weeks at a time without a post. Until my sister, Bravo for Paleo blogger, told me that no one would take me seriously this way. So I got on a fairly strict routine of Monday blog posts, with one post a week. I thought about myself as a blog-reader. What would I want? If I love a blog, then I will revisit it weekly, checking in for the next post. If I have to wait, then soon enough, I'll find another blog to love. Solution: Don't leave your readers hanging. They'll leave you quicker than I can finish this sentence.

Ignoring SEO

To be fair, when I first started blogging, I had no idea what SEO was. I still am not 100% sure. Keywords and meta descriptions and all of that craziness. Again, my sister helped me out with this one. She's an SEO queen. I installed the SEO by Yoast plugin, and started seeing the little green circle light up whenever I was using SEO correctly. In case you're not sure what SEO is or how you can use it effectively, read this post here. Amy Lynn Andrews does an incredible job of explaining it. Solution: Install the SEO by Yoast plugin. Think like a Google-er. Write keywords that you would use yourself. 

Forgetting to Brand Myself

If anyone has followed me on Twitter, you'll know that I've struggled with blog designers. I've gone through two so far that haven't followed through, and now, I finally took matters into my hands. Oooh la la, Blots & Plots is so fancy now. Your blog has to be accessible. Your blog needs to be easy to read. Don't forget that you're dealing with a world of people who are clicking, clicking, clicking their lives away. If you don't spell out how to use your site or make it easy for your readers, they'll run away screaming. I'm still working on this bullet. New theme? Check. Now, an about me and resources tab are on their way. Small steps = big changes. Solution: Make your blog easy to read, design-friendly and personal. Hire a designer or obtain a customizable theme that's user-friendly. 

Being too Me-Focused

Thinking about my audience is difficult, sometimes. I'm not a food blog where people can go for recipes. I'm not a fashion blog where people can go to find new wardrobe ideas. I'm a writer… with a blog. I'm here to trip my way through writing a novel. I'm here to admit when I fail, and hopefully, share some ideas about how to avoid my mistakes. But this blog is not just about me and my book. This blog is about you. This blog is a place where we can come together in literary matrimony, and talk about all of our issues. It's a community. Maybe you're a writer. Maybe you're a book person. Maybe you just like cupcakes. In any case, I'd like to make sure that Blots & Plots is you-focused. Otherwise, why would you be here? Solution: Let's make a poll. What do you want to see on Blots & Plots in the upcoming year? How can I make this blog work for you? 

Thank you. This has been an incredible year of laughs and stumbles. I wish you some of the blots, and all of the plots! 

Spring is Here!  Take up to 37% off

Beta Readers: Why They are Vital to Your Novel

Hello! This post is the first guest post on Blots & Plots, brought to you by my friend, Ashley R. Carlson. She was kind enough to interview me on her blog in July, and now I'm happy to have her here. So without further adieu… 

Ask any new writer or non-writer whether writing a book is something completed on one’s own, and you’ll most likely get this response: “no duh.” (Most likely accompanied by an irritated eyebrow-raise, sarcastic snicker, and/or any other facial expressions that fall along the lines of “might be the dumbest question I’ve heard all week.”)

Any seasoned writer on Earth would tell you the exact opposite—and I’m defining the term loosely; as in, anyone who has written something and realized they had no flippin’ clue whether it was Pulitzer Prize-winning material or akin to the dog turd sitting in their backyard.

That’s why beta readers are so important—nay, vital—to producing a successful, money-making book.  

Beta readers are individuals who agree to read your book before it’s ready for publication (or submission to agents/publishers if you are pursuing a traditional publishing contract). They may offer insight into plot holes/confusing scenes, opinions about character development, messy wording, and a plethora of other issues your manuscript probably contains in its current state. But don’t be discouraged—the first draft or two of any book is going to be riddled with those issues; that is why you are addressing them.

For this post I’m going to use my personal experiences writing “The Charismatics” (my debut fantasy novel, releasing December 13, 2014!) to discuss “all things beta”:

ROUND ONE OF BETAS

While I completed my first and second drafts, I comprised a list of friends met on Twitter and www.cpseek.com who stated they would like to beta read when it was completed. I chose only writer friends, for a number of reasons: they understand the multi-faceted pieces of building a cohesive plotline, they are usually avid readers, and they know what it’s like to receive edits. These will mostly likely be the people who give honest feedback while still keeping your fragile writer’s psyche in mind.

ROUND TWO OF BETAS

After receiving suggestions and criticisms from my first round of betas, I printed out their thoughts (easier to refer to in hard copy) and went through fixing/adjusting any issues that were reported—namely, areas that were confusing (my book is in an alternate universe, and needed a lot of detailed world-building to make better sense), and adding in some more character development. Then I posted on Facebook to my mostly “non-writer” friends and sent out my third draft to those interested.

ROUND THREE OF BETAS

Thoughts from Facebook friends were taken into account and utilized for my fourth draft; mostly continued clarification about the fantasy world and character development (my readers wanted to know more about some secondary characters). Then it was sent to my editor for copy-editing and final thoughts.

Tips For Beta Reader Success:

-I found that a great way to get tailored feedback was by providing a list of questions for my beta readers to keep in mind. Examples: Are the characters believable/likeable? What parts were boring/exciting? What confused you? What scenes, if any, did you find emotionally touching?

-If you are hiring an editor for your self-published book (which you should), then tell your beta readers they don’t need to worry about grammatical errors. Beta readers may be deterred if they feel like they need to “edit” your manuscript; just tell them to read it and enjoy!

-I would suggest noting a time limit; this gives people incentive to read. Make sure it is one that is feasible (not READ THIS IN 24 HOURS GO) but also not too abstract. I’d recommend a month or two, but that depends a lot on your own time table.

-Send your work in PDF format. This enables beta readers to see it on any device that has Adobe Reader, and increases your chances of feedback tremendously (at least, it did for me).

-Keep in mind that criticism is normal, and helpful. I know it can feel like someone is attacking your heart, your soul, but keep an open mind. It’s one person’s opinion; not everyone’s—and when there’s a consensus regarding something in your manuscript, it’s probably worth looking into and revising.

-And finally, remember: people are extremely busy, and are doing you a favor by taking time to read your work. Don’t be offended if people don’t respond, and be extremely grateful when they do. Reciprocate in any way you can, whether that be beta reading their own work, including them in your Acknowledgements page when the book is finished, or just a personalized email. Be gracious and grateful, and you’ll have a beta reader for life (and hopefully a reviewer on Amazon/Goodreads too!).

Ashley is a fantasy author, freelance editor, and editor/blog writer for Midnight Publishing. Ashley will be publishing her debut steampunk-fantasy novel, entitled “The Charismatics,” on December 13, 2014. This is her birthday, and it will be epic. Ashley grew up and currently lives in Scottsdale, and is the proud mother of three animals-a neurotic German shepherd that follows Ashley everywhere she goes, a serene mutt from Mexico, and a cat that gives new meaning to the word "bitchy." Ashley enjoys Yelping for local restaurants, fostering kittens from nearby shelters, and watching the Real Housewives of ... anywhere.

Read the first chapter of “The Charismatics” here, on Wattpad, and find her dilly-dallying at her blog and on Twitter@AshleyRCarlson1.

Spring is Here!  Take up to 37% off

What is Self-Publishing, anyway?

Good question, dear reader. Friends and family, strangers and loved ones, I'm self-publishing my book. And I feel like we need to clear up a few things before that happens. First of all, what is self-publishing, anyway? 

I like to think of it as DIY publishing. It's publishing without the whole shebang of an editor and a house. Self-publishing requires writers to become a full-fledged publishing machine: marketer, editor and of course, publisher. The more you work, the more you make. Theoretically, of course.

To help you form a clearer picture in your mind, allow me to explain what self-publishing is not:

Self-Publishing is Not a Last Resort

This little rumor is a big fat lie, folks. With the rise of e-books, self-publishing is booming right now. Not only can you publish in a digital format, but you can also make print-on-demand copies through hosts like Lulu or CreateSpace. And now, there's a crazy phenomenon taking place. 

Writers are choosing to self-publish, before they even query literary agents, actively opting to go it alone. Why is this a big deal? Because now, writers can publish their books the minute, nay, the second they are ready. Writers don't have to wait around for months to see if they get an agent, then the extra years it could take to find a publisher. You can publish right now. Exciting, right?

Self-Publishing is Not a Garbage Heap

Somewhere along the way, there's been a misunderstanding that self-publishers are the writers who "couldn't get published" and therefore, their work is trash. I have a few things to say to this. First of all, there are a million reasons that books aren't chosen for publication, and a book being "bad" is only one of them. Maybe the house is already publishing a book just like yours. Maybe they're not looking for anything in your genre right now.

The possibilities are endless and often tedious. Secondly, bad writing exists. However, it exists in both the traditional sphere as well as self-publishing. It is not a circumstance reserved for the DIY route. Need proof? Okay, here are some A+ self-publishers: Hugh Howey, Ksenia Anske, Ania Ahlborn and Colleen Hoover. Read their stories. I dare ya.

Self-Publishing is Not a One-Man Show

I'm contradicting myself a bit, aren't I? Though it's true that self-published writers need to work ten jobs at once, they also need to reach out to people who can help get the work done. The most crucial role to seek out is a freelance editor, someone who can catch the mistakes before your book hits print.

There's nothing that screams unprofessional more than a book with a slew of grammatical errors. Don't give the naysayers a reason to set your book down into the unreadable wasteland. Besides an editor, a self-publisher should look into hiring a cover artist, a formatter and even a PR contact.

Apart from the technical stuff, self-publishing isn't a one-man show, because there are readers. I know, blows your mind, doesn't it? Get these readers early on. Start a blog, hop on social media and never stop learning.

So you're publishing a book?  Read about how to pick your publishing method here!

Spring is Here!  Take up to 37% off